This compilation See Dee is full of some great lo-fi rock’n’roll, for lovers of The Swell Maps. Jowe Head and Phones Sportsman pop up all over the place with their instrumental musings, there’s a great unreleased Nikki Sudden track Glam Rok Soxx, and Thrilled Skinny covering the Maps classic Read About Seymour, the Maps connection continues with The Cult Figures and Steve Treatment, amongst others with no Swell Maps connections are Paul Groovy & The PopArt Experience, who ’pop’ up with Andy Watch Out, a great slice of psychedelic punk released as a single in 1987. This is a truly great listen, which isn’t available here! But is available there! at Topplers website, for the recession/inflation/credit crunch busting price of 85p, yes that’s right 85 fucking pence! A bargain, I mean 16 tracks for 85p You cant go wrong, and I mean you can’t go wrong, even if you don’t like the Swell Maps, which is just wrong anyway.
Saturday, 28 February 2009
TOPplers DIY FOR THE 21st CENTURY
This compilation See Dee is full of some great lo-fi rock’n’roll, for lovers of The Swell Maps. Jowe Head and Phones Sportsman pop up all over the place with their instrumental musings, there’s a great unreleased Nikki Sudden track Glam Rok Soxx, and Thrilled Skinny covering the Maps classic Read About Seymour, the Maps connection continues with The Cult Figures and Steve Treatment, amongst others with no Swell Maps connections are Paul Groovy & The PopArt Experience, who ’pop’ up with Andy Watch Out, a great slice of psychedelic punk released as a single in 1987. This is a truly great listen, which isn’t available here! But is available there! at Topplers website, for the recession/inflation/credit crunch busting price of 85p, yes that’s right 85 fucking pence! A bargain, I mean 16 tracks for 85p You cant go wrong, and I mean you can’t go wrong, even if you don’t like the Swell Maps, which is just wrong anyway.
JACOBITES - Howling Good Times (Vinyl Album Rip)
"The first time I met Nikki Sudden, he was writing for ZigZag magazine. He came down to Birmingham, England, in 1980 to write an article on the Subterranean Hawks, my band with singer Steve Duffy (who’d later co-found Duran Duran and form the Lilac Time). Nikki said to me, “If the Hawks ever split up, we should form a band together.” He turned up with his guitar one day on my doorstep shortly after the Hawks had split up. He was that kind of guy, always there and ready to play at any opportunity.
I’d just got this band together called the Bible Belt, and somehow things came together in a strange way when Nikki asked me to play guitar on his second solo album. (The title of it is The Bible Belt. Ha!) We hung out together, started writing songs, listening to the Faces and Stones. I guess somewhere around then, the Jacobites were born.
Now Nikki is dead. He died on my birthday, just as we were planning the next Jacobites album to come out in 2006. I remember my girlfriend saying, “You went to answer the door last night.” It was as if someone wanted to be let in. I heard the news the next day.
We had our ups and downs, our ego things, but we’d always be back together after our solo projects. I’ve come to realize how much work he put into getting gigs and staging tours—nearly always on his own, with no help from hardly anyone. But at least he will be remembered, and the actual worth of the music, well, I find it hard to judge my own stuff half the time. A friend of mine said to me the other day that he honestly believes the Jacobites’ 1985 record, Robespierre’s Velvet Basement, is the best album ever made. Sometimes, I just can’t take that in. To me, it was just me and Nikki sitting around playing our songs to each other with a couple of guitars.
I hope the rest of the world gives a little more respect to Nikki’s stuff now that he’s gone, though I never liked that remark much. As Johnny Thunders said, “The only way you get respect is when you die, if you’re a friend of a mine.” Nikki is still alive to me, and I’ll keep playing those Jacobites songs and keep it alive. He did it for his late brother Kevin (Godfrey, a.k.a. Epic Soundtracks, Nikki’s bandmate in Swell Maps), and I know that’s what he would’ve wanted.
You don’t find a lot of guys who would’ve kept going for little or no money in this business for all those years. And you don’t find many who are into exactly the same music as you. He was a rock ’n’ roll soldier. I guess he went the way he would’ve wanted to go, but I think he thought it would be many years down the road."
Let's Build A Car!
Thursday, 26 February 2009
Sunday, 22 February 2009
LE MAT - The Waltz Of The Fool (Vinyl album rip)
I posted Le Mats one and only single ages back, so now here’s their only album. Recorded in 1982 over 10 days and on a budget of £2,000 it was eventually released on Friday 13th June 1983 by Whaam records. A very special album that defies all catogories; is it folk, post punk, psychedelic or prog rock, who gives a fuck! It is a unique and beautiful record both musically and lyrically and I should have posted it way before now, but better late then never. You’d be a fool not to have a waltz to it, so here you go!
HANOI ROCKS - Love's An Injection (12"Vinyl Rip)
What can I say about Hanoi Rocks? A truly awesome live band, who should have and could have been a household name in the mid 80’s rather than poodle haired rockers such as Bon Jovi, Poison and Motley Crue, infact if it wasn’t for Motley Crues Vince Neil killing their drummer Razzle in a drunken car accident, they probably would have been, (dunno if I should use the term accident, cos it wasn’t an accident really as with any case of drink driving the person doesn’t accidentally get behind the wheel pissed do they?) with their Glam Punk’n’Roll A tradgedy indeed, as the band never really recovered afterwards. Anyway if you wanna know more stick their name in yer search engine, and click here if you want a blast on this 5 track maxi 12” single released in Finland in 1982. Enjoy!
THE LEATHER NUN - Gimme Gimme Gimme (A Man After Midnight) 12" Vinyl Rip
This here record is a classic example of a cover version that turn the original on it’s head and spins it right round. In 1986 Sweden’s The Leather Nun took fellow country folk ABBA’s cheesy but slightly dark pop tune about a women longing for a relationship and turned it into a sleazy ode to either homosexuality or a search for drugs, or both, by simply changing the word “A” to “My” (Gimme Gimme Gimme My Man after midnight) a stroke of simple genius and a brilliant record. Get hold of your man after midnight here and enjoy!
Saturday, 21 February 2009
The money rolls in!
Friday, 20 February 2009
Doing it for the kids!
GALLON DRUNK - Live in Chicago 1/7/93
Crawling and drawling their way out of Camden Town, London in the early 1990’s came Gallon Drunk, with maracas shaking and the rhythm quaking, it was like The Birthday Party never happened. Sharp suits and cutting guitars, an awesome live band, I saw ’em once in 1992, when they tore Bowes Lyon House in Stevenage apart with their feral Rockabilly and Soul hybrid sound. For lovers of The Cramps, Gun Club and Nick Cave, this here eight song live set was recorded fittingly in Chicago, the home of the blues. Enjoy!
Tuesday, 17 February 2009
RECESSION, FRUSTRATION!
Sunday, 15 February 2009
Friday, 13 February 2009
Sunday, 8 February 2009
Lux Interior (RIP) a date with.....
Just nail my bones up on the wall
Beneath the bones let these words be seen
These are the bloody gears of a rockin’ machine.”
Saturday, 7 February 2009
TOTAL WHITEOUT! the aftermath..
Tuesday, 3 February 2009
"Workers of the world......"
These recent ‘wildcat strikes’ are all a bit worrying, but nothing that wasn’t expected. The workers are throwing Gordon Browns words right back at him. Too right brother! But when those words are “British jobs for British workers” I start to feel a bit uncomfortable with it all, because it all starts sounding a bit xenophobic for my liking, and also for Peter Mandelsons as well, saying the strikes were the “politics of xenophobia” Woa! Wait a fucking minute, it was his wheeling and dealings that put the workers in this position in the first place. Another concern I have is since when have the Unions supported far right policies? I always thought their fight was also against fascism, but yet a unite flag is flying amongst the union jacks, doesn’t mean their xenophobic though, or does it? Because a Union representative I heard being interviewed yesterday avoided the questions about this, and said they were just supporting “their members jobs” I also heard one of their members referring to the Italian workers as “Ities” Yes the media will no doubt distort and manipulate it for what ever ends, but it is happening. BNP leader Nick Griffin must be rubbing his hands in glee, especially when Labour MP and champion of the poor Frank Field expressed his concern a week ago that in a recent report there were 10 schools in Britain were pupils didn’t have English as their first language, and he felt this was “Bad, and fragmented society” mind you I don’t believe a word any of ‘em say, because the same Frank Field expressed concerns this week that the strikes were playing into the hands of the BNP and the far right” (doesn’t know what side he’s on, mind you they’re all the fucking same!) which they will; because the workers are in a no win situation thanks to New Labour and The New Europe. Well and truly shafted. Up the workers indeed. One last thing, I’ve said it before and I’ll say it again; Hitler’s government in Germany started life as a NAtional SocIalist party!!!!
"A PUBLIC SERVICE ANOUNCEMENT", this time "WITH GUITARS!!"
Can I urge you to sign the petition below against the 696 form? The form demands that licensees give police a mass of detail, including the names, aliases, private addresses and phone numbers of all musicians and other performers appearing at their venue, and the ethnic background of the likely audience (this is an 8 page document). Failure to comply could mean the loss of a license or even a fine and imprisonment.
One of the questions on the form requires the licensee to specify the type of music that will be performed, giving as possible examples "Bashment, R'n'B, Garage". Another question asks, "Is there a particular ethnic group attending?".
This will have massive implications on certain bands and ethnic groups - it may stop groups performing - the police appear to be focusing on the music enjoyed by black and Asian teenagers.
Fergal Sharkey (CEO of British Music Rights) said: "In explicitly singling out performances and musical styles favoured by the black community we believe the use of Risk Assessment Form 696 is disproportionate, unacceptable and damaging to live music."
http://petitions.number10.gov.uk/Scrapthe696/
You can read more about the implications of this new law here:
http://www.independent.co.uk/arts-entertainment/music/news/how-form-696-could-pull-the-plug-on-the-capitals-music-scene-1028240.html ;
Please sign it - it is very important for CAN and Exodus work. Please forward to your friends.
Best wishes,
Ruth Daniel
Exodus Coordinator
Community Arts North West
Green Fish Resource Centre
46-50 Oldham Street
Manchester
M4 1LE
Tel: 0161 234 2987
Fax: 0161 234 2976
ruth@can.uk.com
www.can..uk.com/exodus
http://www.can.uk.com/
http://www.thetoolkit.net/
Monday, 2 February 2009
"THIS IS A PUBLIC SERVICE ANOUNCEMENT !"
"THERE IS AN EMAIL WITH SUBJECT LINE OBAMA ACCEPTANCE SPEECH FLOATING AROUND WITH A TROJAN HORSE ATTACHMENT. DO NOT OPEN FOR ANY REASON!!! DELETE IMMEDIATELY. THE TROJAN STEALS ALL PASSWORDS AND USER IDS!!! SPREAD THE WORD TO EVERYONE ON YOUR EMAIL LIST."
MANIC STREET PREACHERS - 'Self Destruction Bruise' - Live @ The Astoria 20/12/94 (RE-POST) and 21/12/94 (*NEW*)
It’s near that time again when Richey Edwards did whatever he did. Officially he’s been declared dead, unofficially, who really knows? Me I’d like to think he’s still out there somewhere watching it all. If he is I wonder what he’s making of it. The closest we’ll find out is when the Manic’s new album is released this year, as it contains some of the last lyrics/words Richey wrote before he died/disappeared. In rememberance of a lost talent here's a re-posting of his penultimate gig with the band at London’s Astoria on 20/12/94. As a bonus for anyone who originally downloaded this and as an extra for the rest of you, here’s a copy of their final gig with Richey on 21/12/94 at the Astoria again. It’s a real slab of (auto) Self Destruction Blues, just listen to the sound of smashing equipment as You Love Us finishes.